"[…] this edited volume moves beyond the simple ‘oral vs. written’ binary approach and explores the complex interactions between orality and writing in China with a focus on vernacular genres from the late imperial to modern periods.
"[…] this edited volume moves beyond the simple ‘oral vs. written’ binary approach and explores the complex interactions between orality and writing in China with a focus on vernacular genres from the late imperial to modern periods. Excluding the concisely-written introductory chapter, this volume comprises six chapters authored by scholars well-versed in their subjects, ranging from Ming vernacular fiction to popular prints and contemporary folk ballads.
In addition to stimulating ideas and fresh perspectives on how vernacular genres could be both works of art and products of oral inspiration and imitation, the valuable empirical data collated by some contributors will be of valuable service to researchers.
This volume is highly recommended for both scholars and graduate students interested in not only Chinese literature, but also late imperial Chinese society."